It is the time of year to lounge on the sofa and devour a packet of festive treats in front of a terrific flick, a awful feature, or one that’s awesomely awful.
As always, a batch of latest Christmas films strives to join part of our festive viewing—potentially even earning a place alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).
Therefore, in a vital public service to separate the winners from the losers, and to embrace the Christmas spirit, I binged as many new holiday releases as possible in a single day.
Beginning, optimistically, on a high. This film is the only 2025 title on a famous website's list of the top 100 Christmas movies of all time.
The musical trio are trapped in the UK after wrapping up their global concert series and must make it back for Christmas. Their efforts are thwarted by an evil Santa, who bursts into melody to state they won’t get home until they “find their sibling bond.”
The back-and-forth between the squabbling siblings is enjoyable even for the casual viewer, while devotees will no doubt pick up on lots of in-jokes as they try to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not an all-time classic, but is great for fans and a positive start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who are obliged to sit through it.
A-list actor Kiefer Sutherland stars as a celebrity tricked into a traditional British stage show.
“A panto-what?” asks Sutherland’s “temperamental” and aging lead Brad Mack, who has fallen on hard times and whose manager has deceived him into thinking he’s performing in prestigious English theatre.
His Aladdin co-stars inform him he’s playing Buttons. “Oh no I’m not,” he insists angrily. One can imagine their retort. Except if you’re unfamiliar with traditional British theatre traditions.
There are some very funny lines, some heartwarming storylines, and the ensemble is brilliant, too.
It’s the kind of movie that would be a bit cheesy at another season, but is a highly enjoyable at Christmas.
Festive score: 🎄🎄🎄🎄
An actor shows up at the beginning of this film, too, delivering a signature line for the second film in a row. Might this become a budding festive ritual?
This time, he’s a singing black cab driver who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story develops as the stingy Mr Sood is haunted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least unique from all the others, but sadly he’s not very charismatic and Nayyar’s portrayal is wooden—a major flaw when he’s so the main character.
Festive score: 🎄🎄
Before lunch for a network's holiday special—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (portrayed by Morgana Robinson) persuades him spending the sum on a family trip to Lapland.
There’s just one problem—he finds out there was an error with his bonus, which should have been £800, and he has to figure out how to return the difference.
Enjoyable but forgettable.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the decorations and snow are in the setting—Christmas is the environment of the film rather than its raison d’etre—but it feels warm and holiday-like all the same.
High-powered businesswoman Sydney (played by Minka Kelly) is dispatched to a vineyard to secure an acquisition for a champagne business. During her travels, she meets a fellow in a book store who vows to show her Christmas in Paris.
A critic recently stated this is the best new Christmas film of the recent era. That’s a bit of a overstatement, but it is a festive dalliance with a dash of elegance and gives the obligatory cozy feelings.
The scene with a lengthy discussion about Die Hard is notable too.
Festive score: 🎄🎄🎄
Young Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the efforts of his dad (played by James Buckley) to tell him the truth.
The secret is to be discovered, and Chris sets out to find it with the guidance of a team of well-known experts and celebrities.
It’s low-key but sweet, and perfect viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the head of a dysfunctional American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the premise, but in execution it’s really a jumble of those inspirations, at least until Pfeiffer’s character at last comes into her own.
Festive score: 🎄🎄
The day’s gone downhill, but happily here’s a new offering in the saturated market of cliched, saccharine, over-the-top—and highly entertaining—holiday fare.
It’s a tale as familiar as can be: An American woman travels to a distant snowy land and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
Isla Mariner is a seasoned maritime journalist with over a decade of experience covering shipping, ports, and ocean conservation.